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(More customer reviews)This movie is amazing. Amazing in the way it effects people. One in five will love it, the other four will hate it, all five will never stop talking about it. I saw this movie when it hit the theaters in NYC in 1970. I, as everybody else in the theater, was confused. For some reason we thought the movie was a fifties revival movie. No one was prepared to see a return of Jesus to the wild west. I bought a copy of this movie and view it at least once a year. It takes me a year to recover. After viewing it many times with others, the power of this movie never fails to exert itself on it's viewers. I have aquaintances who saw this move over twelve years ago. They still bring it up (or blame me for it) when they see me now. About four years ago I read the Bagavad Gita a number of times. One of the many insights I enjoyed was .... "what Greasers Palace was about." After viewing this movie numerous times since 1970, I finally got it. It is worth getting and viewing this movie and trying to figure out why it upsets people so much. Greasers Palace does something to dig into the psyche. When I watch Mick Jagger in the movie "Performance," I wonder how that movie could have become the leading cause of in-theater violence in U.S. history. Like "Greasers Palace," it makes you wonder.
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A combination of the Old West and the New Testament; a zoot-suited drifter (Allan Arbus) discovers his true calling and begins to perform miracles. What he really prefers though is doing his boogie-woogie song-and-dance act. In his wanderings he attracts many followers and finally gets to play The Palace, a saloon run by ruthless Seaweed Greaser (Albert Henderson). The act is a success, but Greaser's spoiled daughter, Cholera (Luana Anders), his hitherto star, is furious--"A man with holes in his hands is a bigger hit than me?"--and all according to the Gospel of cult filmmaker Robert Downey (Putney Swope, Pound).
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